“Armed with the knowledge of our past, we can with confidence charter a course for our future. Culture is an indispensable weapon in the freedom struggle. We must take hold of it and forge the future with the past.” - Malcolm X

 

Deck the Wallz: Love Letters Exhibition (2025)

Amped Studios, Sacramento, CA.

Lyonna Lyu is a Sacramento-based self-taught artist working with acrylic paintings, digital illustrations, and icons while simultaneously utilizing NFTs as a preservation tool.

Born to Eritrean immigrants, Lyu passionately incorporates their heritage, narratives, and history into their works, contemporizing an ancient artistic style into their own as they visually share lived experiences of the diaspora.


About the artist ::

Lyonna Lyu is a self-taught digital iconographer and painter based in Sacramento, California blending elements of traditional Eritrean and Ethiopic Orthodox (Tewahedo) art with a distinctive iconographic style, creating visual narratives that reflect the contemporary world through an African-diasporic lens. As the first of their family born in America, Lyu believes art allows us to learn about our past, reconnect with old traditions, and it permits us to explore perspectives which fray from what we are accustomed to. While the influences of growing up in a traditional Eritrean household remain at the core, Lyu incorporates their personal views that are sometimes considered subversive or antithetical from the voices at home.

Many of their artworks carry strong political resonances while simultaneously leaning into a whimsical space with dreamlike cloud imagery conveying transcendence (and perhaps delusion). In recent projects, these ethereal clouds have moved from the background of their icons into the foreground encompassing large parts of later compositions compared to earlier works. These spiral clouds entrance the viewer in allowing for another moment to view the piece in entirety.

Beyond aesthetics, Lyu’s work operates as a form of cultural anthropology acting to preserve, reinterpret, and extend visual elements of the Tewahedo Church and the diaspora. Common figures within their artworks like angels are undeniably Black as their practice becomes both an act of contemporary storytelling and cultural preservation, situating ancient forms within present-day dialogues of identity, resistance, and imagination.

The Digital Diaspora NFT Exhibition (2021)

SuperChief Gallery, NYC.

In 2020, Lyu pivoted from solely selling prints to minting their digital icons as non-fungible tokens on the blockchain. Consequently, Lyu pioneered new ways of preserving their voice and archiving culture on experimental technology, breaking ground in a space where traditional Tewahedo iconography and cutting-edge digital media had not intersected before.

Lyu’s adaptation of blockchain technology stems from an inherent drive for survival, reflecting on the documentation, art, and legacies that persist even after eras of destruction such as war and conflict. As an early adopter, their artworks have been acquired by prominent digital art institutions and vaults cementing their role as both a cultural innovator and a preserver of diasporic narratives in the emerging digital art frontier.

Since entering the metaverse, Lyonna has sold over 50 NFTs, majority are 1 of 1s, with pieces held in esteemed custodial vaults such as the Museum of Crypto Art, the Museum of NFT Art, ONE / OFF, the $WHALE Art Vault.

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Lyonna Lyu photographed in the Church of Archangel Michael in Awdohi, Eritrea. Built by her grandfather.


Moments ::

  • Dec 2025 — “Deck the Wallz: Love Letters,” Amped Studios, Sacramento, CA.

  • Mar 2025 — “Women Make the City,” The Gallery by We Are Sacramento, Sacramento, CA.

  • Nov 2024 — “Drink THIS & Vote,” Downtown Gallery & Oak Park Brewery, Sacramento, CA.
    My design won a community vote and was among 4 selected to be printed on locally brewed beer cans encourage voter participation.

  • Nov 2023 — “Distant Relatives,” African NFT Community, Nifty Gateway, Digital Curation.

  • Dec 2022 - Art Basel Miami; Miami Art Week displays.

    • BLKChain x NoireFungibles: “La Maison Noire”

    • Playground x DotConnector: “From the Beach to the Moon”

  • Oct 2022 - African NFT Community curated drop on Nifty Gateway: “Distant Relatives”.

  • Sept 2022 - 0xArtspace presents "World Made Flesh" at Parallel Vienna Arts Festival.
    Vienna, Austria; NFT art exhibition presented at the 10th edition of Parallel Vienna.

  • June 2022 - Dak’Art Biennale presents "Forging the Future".
    Dakar, Senegal; Augmented Reality exhibition held at Senegal’s Lighthouse of the Mamelles.
    This exhibition was the first time the Dak’Art Biennale incorporated digital arts and NFTs in the contemporary arts festival.

  • Mar 2022 - NFTy Haus Curator for the “Women of Our World” Exhibition in CryptoVoxels.
    Metaverse gallery showcasing amazing women and femme identifying artists in web3.

  • Feb 2022 - BLKChain presents “GENESIS: Leaders of The New School” Virtual Auction.
    A curated exhibition showcasing original art by some of the leading Black NFT artists.
    “Cultural Conduit, the Metaverse Reigns Full of our Glory” sold for 1.11 ETH.

  • Sept 2021 CyberBaat presents “Distorted Realities” Exhibition.
    Jendalma Art Gallery, Dakar, Senegal
    This exhibition was on display both in Dakar and in the metaverse. NFT Oasis, a virtual world building platform, hosted a VR gallery viewable anywhere in the world.

  • June 2021 - The Digital Diaspora presents “Afrofuturism” Exhibition.
    SuperChief Gallery, NYC, USA
    “Tangential Asmara in the Present” sold for 2.0 ETH

  • Feb 2021 - One Day Seyom’s “2001 Magazine: The Past, the Present, and Future of Eritrea” features my “Tegadalit” series, delving into the inspiration behind the series and the historical significance of Eritrean women to the state’s formation.

  • Sept 2020 - I created a design for Sacramento’s “Go Vote Sacramento” campaign encouraging local civic engagement. Posters were hung throughout downtown Sacramento, Ca until after the elections.